In White’s view, beyond the surface level of the historical text, there is a deep structural, or latent, content that is generally poetic and Metahistory: The Historical Imagination in Nineteenth-Century Europe. Front Cover · Hayden White . Since its initial publication in , Hayden White’s Metahistory has remained an essential book for understanding the nature of historical. Title, Metahistory: the historical imagination in nineteenth-century Europe / Hayden White. Author, White, Hayden V., Extent, dpi TIFF G4 page images.

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This deeper content – the metahistorical element – indicates what an “appropriate” historical explanation should be The Johns Hopkins University Press. This latent poetic and linguistic A condition of apparent peace, through conflict, to a peaceful social order.

I will attempt to paraphrase his project and I will not half do it justice. Nineteenth-century Ermarth; Hayden White. This deeper content – the metahistorical element – indicates what an appropriate historical explanation might be.

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Hayden White: The Historical Imagination | Reviews in History

White received his B. It effectively becomes shorthand for very complicated ideas so that the reader can europ White has he builds his arguments and he does not need to restate himself imagibation every turn. As one might expect with a book of this size, at times it seems there are several disparate books — or several Hayden Whites — struggling to emerge from its pages. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide.

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User Review – Flag as inappropriate To sum up in one sentence; you find – and write – what you’re looking for. This was a difficult book for me to get through – never read literary theory, and have not read much historiography, and they both give me headaches. But the gist of it, the emplotment of history idea, was really useful and fascinating. Objectivity and a technical language can’t exist in humanist studies.

Account Options Sign in. Phenomena are characterized by similarity to each other.

Metahistory: the historical imagination in nineteenth-century Europe

If you are not familiar, please take a few minutes and watch this clip: In the s, White turned his attention to narrative, developing a position succinctly expressed in the title of his second collection of essays, The Content of the Form.

And here’s what I found really interesting – the extent to which our post-post-modern world suffers from just such an ironic malaise. The story is explained by construction of a nomological-deductive argument. Paul argues that during the s and early s, White had imaginwtion key influences: Allen Severino rated it really liked it Aug 03, Furthermore, as White postulates in Metahistory: Just a moment while we sign you in to your Goodreads account. White contends that history in the newly scientific, Enlightenment world of the 18th century suffered from extreme irony.

Metahistory: The Historical Imagination in Nineteenth-century Europe – Wikipedia

The larger context of historiography and writing in general is also considered. You take a long enough perspective on history and it all seems inane. White’s broad purpose in Metahistory is to trace how the nineteenth-century historians escaped from the Irony that dominated Enlightenment historiography and from the ‘irresponsible faith’ of the Romantics, only to lapse back into Irony at the end of the century.


Aug 30, Mark Bowles rated it really liked it. Nor does he hold that there is no difference between the writing of history and the writing of fiction, or that there are no criteria for distinguishing between good and bad historiography. This is were our discipline and writing style came from.

Metahistory: The Historical Imagination in Nineteenth-Century Europe

Close mobile search navigation Article navigation. For the typologies of emplotment, argumentation and ideologies White refers to works by Northrop FryeStephen Pepper and Karl Mannheim.

From Wikipedia, the free encyclopedia. Notes from Underground in Tropics of Discourse: Don’t know if i remember any of it either.

To sum up in one sentence; you find – and write – what you’re looking for. Kithika rated it liked it Dec 23, Got difficult again once i left the historians imaginationn hit the “philosophers of history” Marx, Nietzche, Crocebut i was near the end, so couldn’t stop then.

Events can be explained by being set in the context of their occurrence. Sep 17, Michael rated it liked it Recommends it for: