GRISEY ESPACES ACOUSTIQUES PDF

Towards the end of his life, Grisey had rejected spectralism as a meaningful concept. Yet the six works that make up Les Espaces Acoustiques. To not compose any more with notes, but sounds,” wrote Grisey in the prologue to Les Espaces Acoustiques. GÈRARD GRISEY: Les Espaces Acoustiques. Catalogue No.: KAI. EAN Code: Artist(s). WDR Sinfonieorchester Köln, Stefan Asbury.

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The all-time greats Read about the artists who changed the world of classical music. You are commenting using your Twitter account. Edpaces Wikipedia, the free encyclopedia. This impressively authoritative recording under conductor Stefan Asbury dates fromthough Kairos has not apparently released the disc before now in Britain. After studies at the Hohner Academy in Trossingen, he entered the Paris Griseey, where he won all the main prizes, followed by a period at the Villa Medici and further studies in acoustics.

Les espaces acoustiques, Gérard Grisey | Articulate Silences

Widely cultured — he spoke a few languages and was as knowledgeable about the art of the Quattrocento as about the culture of Ancient Egypt — Grisey retained from his early faith a tendency to the mystical, and he often couched his music in images of death. To find out more, including how to control cookies, see here: Another long-term project of Grisey’s later years was to write music for solo voice.

These are the unique combinations of frequencies that manifest themselves as timbre, accounting for the distinction between, for example, a middle-C played on a piano and the same note played on a violin.

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May 21, at 5: The movement forms an enigmatic conclusion to Les espaces acoustiquesthe bleached colours of the orchestra punctuated by the jarring sonorities of the horns.

By continuing to use this website, you agree to their use. Grisey won the highly coveted Prix de Romeenabling him to stay at the Villa Medici in Rome from to Anderson The cycle begins with a Prologue for a single instrument, a viola. October 12, at 4: Whilst seemingly little more than a conjuring trick, this passage serves to reveal the wealth of subtle nuance hidden within a single sound.

This latter quality is key: Les espaces acoustiques hovers uneasily between the consonant and the dissonant, the placid and the volatile. How, then, Grisey asked himself, to reintroduce dynamism into this post-tonal material?

Reblogged this on Perverse Egalitarianism and commented: SpectralThomas May. In the opening passage, the static, pulsating mass of sound occasionally threatens to erupt as the rasping trombone cuts through the soundscape. This is experienced in its glistening chords and unfathomable plunges from the highest registers to the lowest, its whirling intensity and pools of ritualised stillness, as well as in the occasional moment of utter simplicity, such as in the almost wistful theme with which the viola begins the Prologue.

The penultimate movement acts as the culmination of the piece, traversing a kaleidoscopic array of luminous textures. He expressed the opinion that: Emblematically, the solo viola is heard again at the end of Transitoires and in the Epilogue, as if to confirm the coherence of the minute cycle.

Grisey: Les Espaces Acoustiques CD review – profound and with a huge physical presence

Posthumous London world premiere of Quatre chants pour franchir le seuil. Please note that this is a different recording so the timings below will no longer correspond exactly with the performance.

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July 20, at Threads collapsed expanded unthreaded. Even then, Grisey did not underestimate the power of melody.

A guide to Gérard Grisey’s music |

Grisey’s music is often considered to belong to the genre of spectral musicwhich he is credited with founding along with fellow composer Tristan Murailalthough he later disowned the label in interviews and writings.

Yet the six works that make up Les Espacse Acoustiques are almost the perfect demonstration of how musically potent the ideas that he and his French contemporaries, such as Tristan Murail and Hugues Dufourtdeveloped in the 70s could be.

In a magical passage, the delicate, fragmentary strings which emerge from the gloom at Grisey was raised in rural Belfort, near the West German and Swiss borders, as the only griswy of working-class parents. Loading comments… Trouble loading? As such, this music is at once sensuous and uncertain; the static mass of luminous colours and textures is undercut by a constant threat of rupture as Grisey proceeds to tear apart the very fabric of the soundscape.

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Retrieved from ” https: October 12, at 2: