El Chorruelo. Bulerías. Paco de Lucía. Luzía 1/2. = Standard tuning x Falseta 4. Capo. fret 3. 4. 2. 6. 0. (0). 5. 3. 3. 6. 5. 5. (5). 3. 5. 5. 3. 3. El Chorruelo. Bulerías Paco de Lucía Luzía Standard tuning. = x Falseta 4. Capo. fret 3. 0 (0) 6 6 5 5 (5) 2 3 3 3 5 5 5 5 5 4 5 5 3 3 5 7 5.

Author: Faugar Mishura
Country: Romania
Language: English (Spanish)
Genre: Travel
Published (Last): 11 January 2005
Pages: 204
PDF File Size: 8.84 Mb
ePub File Size: 1.25 Mb
ISBN: 223-4-35721-726-4
Downloads: 84435
Price: Free* [*Free Regsitration Required]
Uploader: Kazirr

Remember flamenco guitar is not all about technique, virtuosity and innovation.

Download Section / Paco de Lucia Repertoire

Enjoy the ray of sunshine that comes with every new step in knowledge. And i don’t think that “taste” and “knowledge” should be seperated in Music. Paco es mi dios de la guitarra flamenca, pero no es el unico guitarrista flamenco y no es el unico que ha aportado al arte xhorruelo Flamenco. It was NOT my intention to disrespect you but i was a little bit fl as i felt pqco there is some disrespect going on here to other good guitarists and also because i am huge fan of Diego.

Nadie esta ‘compitiendo’ y usted es el primero que aporta esa palabra a la discusion, hmm We will never be as good as Paco and we will never have a distinctive Style.

On the other hand, you sometimes see some players playing a piece, which at first seams to be easy to play. Shall we either just shut up and learn what you teach [ Solo porque ha puesto unos videos y hecho algunos comentarios no le da el derecho de ser tan irrespetuoso. A few sentences suffice. I have recommended them as teachers to many inquiries via email that I have recieved over the years Yo estoy interesado en sus lecciones y nunca dije lo contrario.


La Villa vieja by Paco de Lucia – Full Score Guitar Pro Tab |

Is one “better” than the other one? The technique of the language, on the other hand, is something that belongs to ed who can understand it sorry, what do you mean?

Because i can see that you are a top notch guitarist and teacher. What you say is basically to copy a Style. No at least in my opinion. Por esta razon voy a contestarle en Espanol, asumiendo que es su lengua materna como la mia. For example, now that we spoke of Paco and Diego: And why do we always talk about that and want to discuss it and find out what it is?

Specially in Flamenco guitar. Anyways, one disadvantage of internet is that people don’t sit face to face to talk about a subject and that could create a lot of misunderstanding. It saddens me to see “ego” become such an easy trap for us to fall into for the so-called sake of information and argumentation. Or that its only “knowledge” which counts. Hi Ruben, Some of us lesser mortals want to play the guitar as a means of relaxation, for enjoyment, or for the occassional challenge and not as a means of self-flagellation.

Flamenco Guitar Royal Conservatory of Toronto Ruben Diaz Official Website

Yes, i have favourites too. Iran living ,ucia Germany. I have seen some young Guitarists with incredible and fast technique, but who were totally boring imo and i didn’t feel anything when hearing to them, playing the Guitar with no Soul, with no Aire, with no Duende. I think its pretty simple in my opinion anyone who does something you would like to learn is a “bonafied” teacher i dont need diplomas, accents, or big names mentioned to like what i like if someones taste luca not “informed “enough to make his decisions Thats not Flamenco imo.


It is never a good idea just to focus on one viewpoint or just one style, e.

Of course you should be in to flamenco and have basic knowledge. Sometimes the most important messages can be lost in with the luciq – I’d like to highlight this from your previous input: Please chill out and try to put your salient points across with brevity.

All art is based on non-conformity.

But Diego del Morao and Not enough Aire???? Why can’t we just teach, play or share our views from our favourite guitarists without runing others directly or indirectly down? Diego del Morao has no Aire Are we thinking about the same guy here? Many think their ways of holding the hands or doing any technique is the only right way and force the students to learn it that way. I would even accept that some players have higher technical skills, but don’t mention things like Aire please.

Obviously, the harder they come the harder they fall.

A medium for open discussion or voicing of ideas. But I do believe Ruben is being a bit closed minded. I mean this would be crazy!