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Rijeka Sava u povijesti zbornik radova. Only this can explain why the waterfront on both sides the Sava River was constructionally neglected for decades, and not regardedas the point of meeting or connection.
Heritage as a whole is completely left aside, reduced to the preservation of a few free-standing objects in situ, but actually excommunicated from the urban context due to the excessive contrast with the powerful symbols of globalization. The hosts from Likhachev foundation supported all my interests and needs, and organized my cooperation with many prominent curators and historians.
Skip to main content. It will be the first historiographic dictionary on that subject, with almost illustrated biographies of architects and civil engineers, who constructed a great number of important buildings across Yugoslavia.
I was honored to see original documents at the Academy of Fine Arts, St Petersburg faculty of civil engineers and on various museum collections. A large number of buildings shown on the model have a multy-storey construction of unclear purposeat this moment, oadijevic which only parts of the alfksandar volume go upward.
Back to the participants list. However, the urban- istic and architectural activities on the waterfront were not all techni- cally balanced.
Late imperial and Art Nouveau periods were in my main focus. With a help of curators and experts from St Petersburg, I succeeded to visit a lot of famous buildings and archive funds which have materials about long urban history of the city.
Transporta- tion infrastructure retained the pri- macy on the right bank and continued to hinder direct contact of the citizens with the Sava River, while on the left bank gradually grew a Le-Corbusier-like modern city. Mainly initiated without public competitions, these alekswndar undertakings are usu- ally justified by the support obtained in the elections.
Reka i gradski prostori u Srbiji. Photo of a part of the model behind the railway station priate to talk about the treatment of toward the Sava River bank the heritage on the spot. Log In Sign Up.
This is evident in the partial implementation of the Master Plan of Belgrade from made by Russian emigrant architect Geor- gije Kovaljevski, which specified construction of a promenade and a Fig. Devoid of the common, plain typology, morphology and alekssndar coloring of the Euro-Mediterra- nean urban tradition, it interacts with the existing spatial-cultural matrix in a degradative way.
The image shows an obvious disparateness compared to the rest of the city in the scene, primarily because of a false logic of putting the highest buildings on the slope at the lowest vertical alignment. Click here to sign up.
Cultural fellowships in Russia – Aleksandar Kadijević
It was commissioned by the newspaper and was not a part of the aleksandad campaign of the investors. Enter the email address you signed up with and we’ll email you a reset link. Devoid of the common, plain typology, morphology and customary coloring of the Euro-Mediterranean urban tradition, inherent to the visual identity of Belgrade, the project considerably modifies the centuries old cultural matrix. Vizuelnost i kreiranje gradskog identiteta —Beograd: Hence the assent given by those in charge ofthe protection of cultural monuments to the implementation of the project can be considered unexpected.
Likhachev International Charitable Foundation, Although such analogy is civilizationallyun- founded due to the proportions of the area occupied by that district, it can be found in apolo- getic announcements of pragmatic daily politics.
This can be easily checked by comparing the cross sections perpendicular to the Sava River simultaneously in old and new city blocks, starting from the river to the higher levels of the city in the area of Slavija Square. The project was not made public, although it contained some innovative and technically applicable solutions for the area along the right alekxandar of the Sava River.
In the meantime, the hastily made political decisions about not limiting the number of floors should be re-examinedand some reputable domestic designers should be hired.
The Sava Amphitheater is a geographical term that comprises the terrain from the Belgrade Ridge in the northwest under the Fortressover Terazije and partially Krunska street,toward the St. In that first version, including several varieties set out later, the specified constructions were of much less capacities and parameters than it is the case today when resi- dential, commercial and infrastructure facilities of extensive square footage are predominant Fig. A globalization dull architectural style is evidently being imposed to Belgrade through an extremely simplified geometric forms and urbanistic concepts appropriate to the climate and Fig.
Guided by the interests of daily politics declarative and publicthe initiators of these globalization recastings usually avoid local creative forces, engaging foreign branded design companies.